Is there a sweet spot when you underexpose the sensor? How underexposed can you go before the image starts to break apart? We recorded these in 4K and the Canon 24-70mm f/2.8 lens on each camera body to get an idea of each sensor's look. With the exception of the GH5 Cine V footage, we applied the same ALEXA_Default_CLog2Rec709 LUT to keep as consistent as possible (we were unable to get the VLog upgrade in time for this camera test). Panasonic GH5 in Cine V Sony FS7 in Cine-EI Canon C200 in Cinema RAW Light